Page:The Works of the Rev. Jonathan Swift, Volume 7.djvu/417

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MAD MULLINIX AND TIMOTHY.
405

Which the true mother, which pretender;
Nor listen to the witch of Endor.
Should Faustus, with the Devil behind him,
Enter the stage, they never mind him:
If Punch, to stir their fancy, shows
In at the door his monstrous nose,
Then sudden draws it back again;
O what a pleasure mixt with pain!
You every moment think an age,
Till he appears upon the stage:
And first his bum you see him clap
Upon the queen of Sheba's lap:
The duke of Lorraine drew his sword;
Punch roaring ran, and running roar'd,
Reviles all people in his jargon,
And sells the king of Spain a bargain;
St. George himself he plays the wag on,
And mounts astride upon the dragon;
He gets a thousand thumps and kicks,
Yet cannot leave his roguish tricks;
In every action thrusts his nose;
The reason why, no mortal knows:
In doleful scenes that break our heart,
Punch comes, like you, and lets a fart.
There's not a puppet made of wood,
But what would hang him, if they could;
While, teasing all, by all he's teas'd,
How well are the spectators pleas'd!
Who in the motion have no share,
But purely come to hear and stare;
Have no concern for Sabra's sake,
Which gets the better, saint or snake,
Provided Punch (for there's the jest)

Be soundly maul'd, and plague the rest.

D D 3
Thus,