amusements were all but universal among them. Travelers in Germany dwell upon the gaiety observed in the villages, or in the city parks and the beer gardens, the distinctive costumes of different localities lending color and interest to the scenes. Music was cultivated in every German community; all Germans could sing and a large proportion could perform on musical instruments. One was "as certain to see a violin as a blackboard in every schoolroom."[1] Wherever Germans gathered together—and Sunday, since it was the weekly holiday, was their day for assembling—there was singing and dancing, usually accompanied by the drinking of beer or wine to stimulate hilarity. This drinking was not necessarily excessive, because most Germans were moderate in their appetites for alcohol, some were unable to spend much, and all were economical (sparsam). The dances differed from those favored in this country, being mainly "round dances," and the standards of decorum in the relations of the sexes were different also. No wonder that, when German families settled in groups near our own people, Yankee fathers and mothers often shook their heads doubtfully in contemplating the influence upon their children of these unfamiliar social customs.
It is probable that the vigor with which among this resilient people amusements were carried on had a definite relation to the intensity, monotony, and sordidness of the labor from which they were a recoil. At all events, with more leisure on week days and an opportunity to do his work under pleasanter conditions, the German readily adapted himself to a type of relaxation which was less boisterous and more genteel. His work and his living being what they were, it is doubtful if anything better in the form of amusements could have been expected of him. Travelers from England and
- ↑ 45