moment I mentioned it. "Give up this rigid purpose of seeing him. Go away without it. That will be far better."
She looked mystified; then she turned visibly pale. "Why, hasn't he any personal charm?" The girl was terrible and laughable in her bright directness.
"Ah, that dreadful word 'personal'!" I exclaimed; "we're dying of it, and you women bring it out with murderous effect. When you encounter a genius as fine as this idol of ours, let him off the dreary duty of being a personality as well. Know him only by what's best in him, and spare him for the same sweet sake."
My young lady continued to look at me in confusion and mistrust, and the result of her reflection on what I had just said was to make her suddenly break out: "Look here, sir—what's the matter with him?"
"The matter with him is that, if he doesn't look out, people will eat a great hole in his life."
She considered a moment. "He hasn't any disfigurement?"
"Nothing to speak of!"
"Do you mean that social engagements interfere with his occupations?"
"That but feebly expresses it."
"So that he can't give himself up to his beautiful imagination?"
"He's badgered, bothered, overwhelmed, on the pretext of being applauded. People expect him to give them his time, his golden time, who wouldn't themselves give five shillings for one of his books."
"Five? I'd give five thousand!"
"Give your sympathy—give your forbearance. Two-thirds of those who approach him only do it to advertise themselves."
"Why,
