moral of the story is the vanity and shallowness of the world's professed admiration for men of letters, and the evil, to them, or going out of their way to suck the sugar-plums of praise. The next story, "Irremediable," shows the consequences of marrying a vulgar and ignorant girl in the hope of improving her, the difficulty being that she declines to be improved. The situation is powerfully described, especially the last scene in the repulsive, disorderly little home. The most effective touch reveals Willoughby's constant vexation because his vulgar wife "never did any one mortal thing efficiently or well," just the opposite of the constant pleasure that clever active women give us by their neat and rapid skill. "The Dedication," by Mr. Fred Simpson, is a dramatic representation of the conflict between ambition and love not that the love on the man's side is very earnest, or the conflict in his mind very painful, as ambition wins the day only too easily when Lucy is thrown over. "The Fool's Hour," by Mr. Hobbes and Mr. George Moore, is a slight little drama founded on the idea that youth must amuse itself in its own way, and cannot be always tied to its mamma's apron-strings. It is rather French than English in the assumption that youth must of necessity resort to theatres and actresses. Of the two sketches by Mr. Harland, that on white mice is clever as a supposed reminiscence of early boyhood, but rather long for its subject, the other, "A Broken Looking-Glass," is a powerful little picture of the dismal end of an old bachelor who confesses to himself that his life has been a failure, equally on the sides of ambition and enjoyment. One of my friends tells me that it is impossible for a bachelor to be happy, yet he may invest money in the Funds! In Mr. Crackanthorpe's "Modern Melodrama," he describes for us the first sensations of a girl when she sees death in the near future. It is pathetic, tragical, life-like in language, with the
defects
