twice a year we went to have our hair cut; hence, in the result, Vespasian's amphitheatre was approached by muddy little streets, wherein the Red Lion and the Blue Boar, with Somebody's Entire along their front, and "Commercial Room" on their windows; the doctor's house, of substantial red-brick; and the facade of the new Wesleyan chapel, which we thought very fine, were the chief architectual ornaments: while the Roman populace pottered about in smocks and corduroys, twisting the tails of Roman calves and inviting each other to beer in musical Wessex. From Rome I drifted on to other cities, dimly heard of—Damascus, Brighton, (Aunt Eliza's ideal), Athens, and Glasgow, whose glories the gardener sang; but there was a certain sameness in my conception of all of them: that Wesleyan chapel would keep cropping up everywhere. It was easier to go a-building among those dream-cities where no limitations were imposed, and one was sole architect, with a free hand. Down a delectable street of cloud-built palaces I was mentally pacing, when I happened upon the Artist.
He was seated at work by the roadside, at a point whence the cool large spaces of the downs, juniper-studded, swept grandly westwards. His attributes proclaimed him of the artist tribe: besides, he wore knickerbockers like myself. I knew I was not to bother him with questions, nor look over his shoulder and breathe in his ear—they didn't like it, this genus irritabile, but there was nothing about staring in my code of instructions, the point having somehow been overlooked: so, squatting down on the grass, I devoted myself to a passionate absorbing of every detail. At the end of five minutes there was not a button on him that I could not have passed an examination in; and the wearer himself of that homespun suit was probably less familiar with its pattern and texture than I was. Once he looked up, nodded, half held out his tobacco
