entitled to form a judgment must be startled by the amazing episode of the swimming-encounter of Weyburn and Aminta when the former is on his way to the Continent. That is the imagination of a man who either never knew what swimming is or has forgotten what he knew. The occurrence, as related in the novel, is an impossible dream. Mr. Meredith may be in touch with the developments of fencing — an old hobby of his — but his conception of what people do or can do in the water is pure fantasy. In this, indeed, there is pathos; and perhaps the ideal reader would see only pathos — or literary picturesque — in the kindred aberration of the novelist's prose. But when writers are still so imperfect, there can be few perfect readers.
We end by deploring, as contemporary criticism always must, a particular case of excessive preciosity, after setting out to find the soul of goodness in the thing in general. As it was in bygone instances that we could best see the element of compensation, the saving grace, it may be that the difficulty in seeing it in contemporary cases, and above all in Mr. Meredith's, is one which will lessen for posterity; though it is hard to believe that posterity, with its ever enlarging library, will have the time to ponder all of that tormented prose, supposing it to have the patience. A misgiving arises as to whether much of Mr. Meredith must not inevitably go the way of Donne. But whether or not, his case clinches for us the lesson that is to be learned from more ancient instances; and that lesson may be summed up as consisting or ending in a new view of the meaning of democracy. It is in the democratic age that we seem to find, after all, at once the freest scope for individual literary idiosyncrasy and the least amount of harmful contagion from it — the maximum of the individual freedom compatible with a minimum of the harm. It would
