At Old Italian Casements
By Dora Greenwell McChesney
From a Tuscan Window
Ahigh dark Florentine palace with frowning cornice and barred windows, rich torch-holders of wrought iron set beside the deep-arched doorway. In one of the casements stands a young girl; it is early morning and the fresh light shines over her. She has been, perhaps, at a banquet, for she is in gala dress—soft green worked with threads of silver; about her slim long throat is a chain with an ornament of enamel bright with shifting colours. She grasps the heavy iron with a small white hand and leans forward; the shadow of one bar lies like a dark band across the bright hair drawn smoothly back from her forehead. She is watching for her lover to pass in the dusky street; her lips are grave, but there is a smile in the brown eyes under the fine curved brows. She looks out through the sunrise and waits. Underneath the window, so close to the wall that he cannot be seen from above, lies a youth wrapped in a dark mantle—dead—he has been stabbed there in the night and fallen quite silently. His loose dark hair brushes the ground where he lies; his blood has made a stain on the grey stones. His white face is turned up; his eyes are open, looking towards the casement—the case-