been displayed by aborigines, one is particularly
deserving of notice. A traveller, while pursuing
an equestrian tour in the earlier days of the
settlement, suddenly came upon a solitary aboriginal
who had strayed from his tribe on a hunting
expedition. The black, who had never before,
in all probability, seen a white man, and certainly
had never seen such an animal as a horse with a rider
on its back, having partially recovered from the first
effects of surprise and wonder, and probably terror,
which the sudden appearance of so strange an apparition produced, retreated a few paces, and then,
turning round and throwing himself into an attitude
of defence, poised a formidable spear which he held
in his hand, evidently resolved to hurl it with effect
should the horseman, who in the meantime had
halted his steed, advance. This first scene of a
romantic little drama — which scene is submitted for
the consideration of all and several of our Australian
artists — continued for a few minutes, during which
the aboriginal, from the expression of amaze and
terror which commingled with that of determination
and ferocity in his countenance, regarded the horse
and rider as one being. In order to put an end
to this involuntary representation of statuary, and
probably dreading that the spear which his confronter
held poised in air might receive an impulse anything
but favourable to his own personal safety, the
European slowly and cautiously dismounted, and,
standing a few paces from his horse, made friendly
Page:The aborigines of Australia.djvu/104
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PERSONAL BRAVERY.
91