Page:The art of kissing (IA artofkissing987wood).djvu/31

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THE ART OF KISSING
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inexpressibly sweet, and continues to restore her confidence in you. It lulls her suspicions, and makes her think that all you wished was the one small kiss.

An important next step comes in well here, and may indeed be used as a prelude, in cases where the girl seems absolutely unwilling. Gently bend down her head, and kiss her on the eyelids. If this is the beginning of the whole matter, you may even explain reassuringly what you are about to do. While you are feasting on this kiss, by accident, as it were, you can so tilt her face that the lips are yours. Stray to the ears, for a kiss and a little nip; and then come down to the neck. This is a warm comfy kiss, and, if the girl wears a dress even moderately low-cut, is especially thrilling to her. Now, for the first time, you can begin to put some soul, some unconstraint, in the caress. Holding her body tightly to yours, kiss her passionately on the neck. The touch is intimate and at the same time not calculated to rouse suspicion. It will rouse her insensibly. Keep this up, until you feel her body relaxing in your arms. Now is the time to return triumphantly to the lips; if she tries to get away, use a reassuring "Just one, darling! Just one tiny little one—" What you say makes no difference; the thing to do is to get there. Once you have rearrived at the lips, you may kiss her as passionately as she is able to stand.

Kissing passionately means kissing with more than the closed lips, in general. The Persian "Perfumed Garden" recommends kissing with the whole inside of the mouth. Let your