Page:The art of kissing (IA artofkissing987wood).djvu/33

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THE ART OF KISSING
31

rous, this is a warning to go comparatively slow. If the girl's lips are opened, this says that the track is clear. If the mouth is fully opened, and the girl kisses as actively as the man, it might not be a bad idea to cancel all your engagements for the next week or so, and give the girl all the kissing she wants!

With a girl who is experienced, the hug, or body embrace, is very important. This should be more determined now. The first variety is where the man's arm, around the girl's back, presses her bosom against his: and a pressure that temporarily stops the breathing of both of them, at times, is relished by both. A later technique is for the arm to fall at least as low as her waist, and thus lock the two bodies together, while the lips complete the communion. The poet describes it:

Then will people passing
By the lit place
See our shadows marry
In a gray embrace.

The lip kiss now lasts longer than with the inexperienced girl, of course: and tends gradually to become what is called the soul kiss. It need only stop short of the astonishing kiss Mrs. Browning describes in Aurora Leigh, a kiss—

We are not amphibious enough to endure such a kiss. We would have to come up to breathe from time to time. But, to those who are able, this sort of sheik buss is recommended. Toward the North Pole, where the night is six