'I loved him [John] from boyhood, even when he wronged me, for the goodness of his heart and the nobleness of his spirit. Before we left school we quarrelled often, and fought fiercely, and I can safely say and my schoolfellows will bear witness, that John's temper was the cause of all, still we were more attached than brothers ever are. From the time we were boys at school, where we loved, jangled and fought alternately, until we separated in 1818, I in a great measure relieved him by continual sympathy, explanation and inexhaustible spirits and good humor, from many a bitter fit of hypochondriasm. He avoided teasing any one with his miseries but Tom and myself, and often asked our forgiveness; venting and discussing them gave him relief.'
The school which the boys attended was kept by the Rev. John Clarke at Enfield, and a son of Mr. Clarke was Charles Cowden Clarke, the 'ever young-hearted' as his happy-natured wife calls him, who was seven or eight years the senior of John Keats, but became his intimate friend and remained such through his life. Clarke's own reminiscence of his friend seems to fill out George Keats's sketch:—
'He was a favorite with all. Not the less beloved was he for having a highly pugnacious spirit, which when roused was one of the most picturesque exhibitions—off the stage—I ever saw. . . . His passion at times was almost ungovernable; and his brother George, being considerably the taller and stronger, used frequently to hold him down by main force, laughing when John was in one of his moods, and was endeavoring to beat him. It was all, however, a wisp-of-straw conflagration; for he had an intensely tender affection for his brothers, and proved it upon the most trying occasions. He was not merely the favorite of all, like a pet prize-fighter, for his terrier courage; but his highmindedness, his utter unconsciousness of a mean motive, his placability, his generosity, wrought so general a feeling in his behalf that I never heard a word of disapproval from any one, superior or equal, who had known him.'
The reader will look in vain for any signs of a polemic nature in Keats's verse, but it is easy enough to find witness to his moodiness, as in such a sonnet as that beginning:—
'Why did I laugh to-night? No voice will tell,'
and of the ungovernable passion there is evidence enough in his later life, though it took then another form. Yet the boyish impulsiveness which had its rude expression in animal spirits turned in youth into a headlong eagerness for books before, during, and after school hours. According to Charles Cowden Clarke he won all the literature prizes of the school, and took upon himself for fun the translation of the entire Æneid into prose. He read voraciously, and the same friend says: 'In my mind's eye I now see him at supper, sitting back on the form from the table, holding the folio volume of Burnet's History of his Own Time between himself and the table, eating his meal from behind it. This work, and Leigh Hunt's Examiner, which my father took in, and I used to lend to Keats—no