the throng that filled the sidewalk; and Kittrell sighed in deep depression.
When he turned in his cartoon, Benson scanned it a moment, cocked his head this side and that, puffed his brier pipe, and finally said:
"I'm afraid this is hardly up to you. This figure of Clayton, here—it hasn't got the stuff in it. You want to show him as he is. We want the people to know what a four-flushing, hypocritical, demagogical blatherskite he is—with all his rot about the people and their damned rights!"
Benson was all unconscious of the inconsistency of having concern for a people he so despised, and Kittrell did not observe it, either. He was on the point of defending Clayton, but he restrained himself and listened to Benson's suggestions. He remained at the office for two hours, trying to change the cartoon to Benson's satisfaction, with a growing hatred of the work and a disgust with himself that now and then almost drove him to mad destruction. He felt like splashing the piece with India ink, or ripping it with his knife. But he worked on, and submitted it again. He had failed, of course; failed to express in it that hatred of a class which Benson
