THE GOLDEN AGE
generation—I sometimes felt—would have suited our habits better. But even by us children, to whom few places were private or reserved, the room was visited but rarely. To be sure, there was nothing particular in it that we coveted or required. Only a few spindle-legged, gilt-backed chairs,—an old harp on which, so the legend ran, Aunt Eliza herself used once to play, in years remote, unchronicled; a corner-cupboard with a few pieces of china; and the old bureau. But one other thing the room possessed, peculiar to itself; a certain sense of privacy—a power of making the intruder feel that he was intruding—perhaps even a faculty of hinting that some one might have been sitting on those chairs, writing at the bureau, or fingering the china, just a second before one entered. No such violent word as 'haunted' could possibly apply to this pleasant old-fashioned chamber, which indeed we all rather liked; but there was no doubt it was reserved and stand-offish, keeping itself to itself.
Uncle Thomas was the first to draw my attention to the possibilities of the old bureau.
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