the revolution came, Cristoforo was one of its best champions in Tuscany. His cantante sang only the march of Garibaldi and the victories of Savoy. His own speeches teemed with the gospel of Italy regenerated; and for a whole month he wasted no time in the sale of his bottighias and pillolas, but threw all his vehement, persuasive, and dramatic eloquence into the popular cause.
The end we know. Tuscany is a dukedom no longer, but a component part of a great peninsular kingdom with “Florence the Beautiful” for its capital.
And still before the ducal palace, where the deputies of Italy are to assemble, poor, vain Cristoforo Rischio makes his harangue every Tuesday and Saturday. He is now—or was four years ago—upward of sixty years of age, but spirited and athletic as ever, and so rich that it would be superfluous for him to continue his peripatetic career.
His life is to me noteworthy, as showing what may be gained by concentrating even humble energies upon a paltry thing. Had Créso persevered as well upon the stage, I do not doubt that he would have made a splendid actor. If he did so well with a mere nostrum, why should he not have gained riches and a less grotesque fame by the sale of a better article? He understood human nature, its credulities and incredulities, its superstitions, tastes, changefulness, and love of display and excitement. He has done no harm, and given as much amusement as he has been paid for. Indeed, I consider him more an ornamental and useful character than otherwise. He has brightened many a traveler’s
