favorite Clairon, the actress, and became so fond of him, that he insisted upon his company to Italy. On his return, he went to Dresden, Leipzig, and Hamburg, and finally to Eckernfiorde, in Schleswig, where he took up his residence with the Landgrave Karl of Hesse; and at length, in 1788, tired, as he said, of life, and disdaining any longer immortality, he gave up the ghost.
It was during St. Germain’s residence in Schleswig that he was visited by the renowned Cagliostro, who openly acknowledged him as master, and learned many of his most precious secrets from him—among others, the faculty of discriminating the character by the hand-writing, and of fascinating birds, animals, and reptiles.
To trace the wanderings of St. Germain is a difficult task, as he had innumerable aliases, and often totally disappeared for months together. In Venice, he was known as the Count de Bellamare; at Pisa, as the Chevalier de Schoening; at Milan, as the Chevalier Welldone; at Genoa, as the Count Soltikow, etc.
In all these journeys, his own personal tastes were quiet and simple, and he manifested more attachment for a pocket-copy of Guarini’s “Pastor Fido”—his only library—than for any other object in his possession.
On the whole, the Count de St. Germain was a man of magnificent attainments, but the use he made of his talents proved him to be also a most magnificent humbug.
