pigeons,’ if I could buy them for their weight in silver; for there are no golden pigeons in existence, unless they are made from the pure metal.”
“You shall see some golden pigeons alive,” he replied, at the same time entering my office and closing the door after him. He then removed the lid from a small basket which he carried in his hand, and sure enough there were snugly ensconced a pair of beautiful living ruff-necked pigeons, as yellow as saffron and as bright as a double eagle fresh from the mint.
I confess I was somewhat staggered at this sight, and quickly asked the man where those birds came from.
A dull, lazy smile crawled over the sober face of my German visitor, as he replied in a slow, guttural tone of voice:
“What you think yourself?”
Catching his meaning, I quickly answered:
“I think it is a humbug?”
“Of course, I know you will say so; because you ‘forstha’ such things better as any man living, so I shall not try to humbug you. I have color them myself.”
On further inquiry, I learned that this German was a chemist, and that he possessed the art of coloring birds any hue desired, and yet retain a natural gloss on the feathers, which gave every shade the appearance of reality.
“I can paint a green pigeon or a blue pigeon, a gray pigeon or a black pigeon, a brown pigeon or a pigeon half blue and half green,” said the German; “and if you prefer it, I can paint them pink or purple, or give
