joy bells, and a background of fidgeting, yawning children completes the picture.
Then look at the gaily-coloured page which transports us to the middle of a village fête. All among the garlands and Japanese lanterns the firemen are making merry with their lady admirers. The drummer of the squad, a lusty fellow, is stealing a kiss from a protesting, yet willing, kitchen-maid.
An astounding drawing of a bacchanalian orgy entitled Ribote de Noel appeared in No. 112 of Le Rire, and the whole reeling scene of drunken revelry is marvellously rendered. In the largeness of the forms and the rollicking abandon of the whole scene we are reminded of our own Rowlandson, an artist whose work is thoroughly appreciated across the Channel. The quintessence of quaintness is reached in another drawing, which again reminds us somewhat of Rowlandson, It ts a drawing contained in L' Album, entitled "La Folie des Grandeurs — Les Yeux plus grands que le Ventre"; and shows us a queer little Tom Thumb of a man smoking a cigar, and speaking in the language of the eye volumes of admiration for the mountainous woman against whose knee he lolls.
Other illustrations by Léandre appear in Le Grand Guignot, and in the comic paper La Vie en Rase. To a little collection of caricatures of (then) reigning sovereigns, entitled "Le Musée des Souverains," Léandre contributed some remarkably clever work. President Faure, Queen Victoria, the Emperor of
