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GENIUS AND DEGENERATION.
15

nose and of the head, great vivacity of the eyes); while the cretin, the criminal, and often the lunatic, differ by the possession of ignoble features: Humboldt, Virchow, Bismarck, Helmholtz, and Holtzendorf, do not show a German physiognomy. Byron was English neither in his face nor in his character; Manin did not show the Venetian type; Alfieri and d’Azeglio had neither the Piedmontese character nor face. Carducci's face is not Italian. Nevertheless, one finds very notable and frequent exceptions. Michelangelo, Leonardo da Vinci, Raphael, and Cellini, presented the Italian type.

Precocity.—Another character common to genius and to insanity, especially moral insanity, is precocity. Dante, when nine years of age, wrote a sonnet to Beatrice; Tasso wrote verses at ten. Pascal and Comte were great thinkers at the age of thirteen, Fornier at fifteen, Niebuhr at seven, Jonathan Edwards at twelve, Michelangelo at nineteen, Gassendi, the Little Doctor, at four, Bossuet at twelve, and Voltaire at thirteen. Pico de la Mirandola knew Latin, Greek, Hebrew, Chaldee, and Arabic, in his childhood; Goethe wrote a story in seven languages when he was scarcely ten; Wieland knew Latin at seven, meditated an epic poem at thirteen, and at sixteen published his poem, Die Vollkommenste Welt. Lopez de la Vega composed his first verses at twelve, Calderon at thirteen. Kotzebue was trying to write comedies at seven, and at eighteen his first tragedy was acted. Schiller was only nineteen when his epoch-making Räuber appeared. Victor Hugo composed Irtamène at fifteen, and at twenty had already published Han d’ Islande, Bug-Jargal, and the first volume of Odes et Ballades; Lamennais at sixteen dictated the Paroles d'un Croyant. Pope wrote his ode to Solitude at twelve and his Pastorals at sixteen. Byron wrote verses at twelve, and at eighteen published his Hours of Idleness. Moore translated Anacreon at thirteen. Meyerbeer at five played excellently on the piano. Claude Joseph Vernet drew very well at four, and at twenty was already a celcbrated painter. At thirteen Wren invented an astronomical instrument and offered it to his father with a Latin dedication. Ascoli