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GENIUS AND DEGENERATION.
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amnesia of genius. Many children who become great men have been regarded at school as bad, wild, or silly; but their intelligence appeared as soon as the occasion offered, or when they found the true path of their genius. It was thus with Thiers, Pestalozzi, Wellington, Du Guesclin, Goldsmith, Burns, Balzac, Fresnel, Dumas père, Humboldt, Sheridan, Boccaccio, Pierre Thomas, Linnæus, Volta, Alfieri. Thus Newton, meditating on the problems of Kepler, often forgot the orders and commissions given him by his mother; and while he was the last in his class he was very clever in making mechanical playthings. Walter Scott, who also showed badly at school, was a wonderful story-teller. Klaproth, the celebrated Orientalist, when following the courses at Berlin University, was considered a backward student. In examination once a professor said to him: “But you know nothing, sir!” “Excuse me,” he replied, “I know Chinese.” It was found that he had learnt this difficult language alone, almost in secret. Gustave Flaubert “was the very opposite of a phenomenal child. It was only with extreme difficulty that he succeeded in learning to read. His mind, however, was already working, for he composed little plays which he could not write, but which he represented alone, playing the different personages, and improvising long dialogues.”[1] Domenichino, whom his comrades called the great bullock, when accused of being slow and not learning so fast as the other pupils, replied: “It is because I work in myself.”

Sometimes children have only made progress when abandoned to their own impulses. Thus Cabanis, although intelligent, was regarded at school as obstinate and idle, and was sent home. His father then decided to risk an experiment. He allowed his son, at fourteen years of age, to study according to his own taste. The experiment succeeded completely.

Misoneism.—The men who create new worlds are as much enemies of novelty as ordinary persons and children. They display extraordinary energy in rejecting the discoveries of others; whether it is that the saturation, so

  1. Guy de Maupassant, Étude sur Gustave Flaubert, Paris, 1885.