the poet is the most alive and expressive. Observe, again, that in what are called art circles—Arcadian groups of those devoted to art and letters—the imaginative writers are apt to interest themselves far more with respect to the plastic arts than the sculptors and painters with respect to poetry and romance; and well they may, since the poet enriches his work by using all artistic effects, while nothing is more dangerous to a painter, for example, than that he should give his picture a literary cast, as the phrase is, and make it too closely tell a story or rehearse a poem. This of itself tends to confirm Lessing's apothegm that "the poet is as far beyond the painter as life is better than a picture."
The conquests of poetry, in fine, are those of pure intelligence, and of emotion that is unfettered.Final analysis and summary of the chief of arts. Like the higher mathematics, it is not dependent on diagrams, for the mind to which it appeals is a responsive draughtsman of lines finer and more complex than any known to brush or graver. It creates no beauty of form beyond the accidental symbols grouped in script and print, none of light and color, while the ear is less touched by it than by the melodies or harmonies of music; for its melody is that of flexible speech, and it knows not counterpoint, but must resort to the value of successive strains. Yet we
