carry in our hearts "Auld Lang Syne," "The Land o' the Leal," Mother-well's "Jeanie Morrison," and "My heid is like to rend, Willie." Robert Burns is first and always the poet of natural emotion, and his fame is a steadfast lesson to minstrels that if they wish their fellow-men to feel for and with them, they must themselves have feeling. Only from the depths of a great soul could come the stanzas of "Highland Mary" and "To Mary in Heaven." He touches chords for high and low alike in the unsurpassable "Farewell":
"Had we never loved sae kindly,
Had we never loved sae blindly,
Never met or never parted,
We had ne'er been broken-hearted!"
His lyrics of joy, ambition, patriotism, are all virile with the feeling of a brave and strong nature.
English emotional verse is more self-conscious, and often flooded with sentimentalism. English sentiment.Yet Byron's fame rests upon his intensity, whether that of magnificent apostrophes, or of his personal poems, among which none is more genuine than his last lyric, written upon completing his thirty-sixth year. In the Victorian period the regard for art has covered sentiment with an aristocratic reserve, but Hood was a poet of emotion in his beautiful songs and ballads no less than in "The Bridge of Sighs."
From the middle register of emotion, poetry rises
