French Poetry, 18.
French Revolution, effects of, 123, 215.
French School, influence of the recent, 226.
Fuller, George, painter, 246.
Fuller, Margaret, anecdote of, 50.
Future, promise of the, 296.
Galileo, 33.
Galland, Orientalist, 82.
"Gaspar Becerra," Longfellow, 220.
Gautier, Th., paraphrased by Dobson, 173; and see 120, 130, 179, 290.
Gebir, Landor, 205.
Genius, finds its natural sustenance, 10; vindication of, 46,—by Plato, ib,; scientifically defined by Hartmann, ib.; "poeta nascitur," 53; "a born lawyer," etc., 56; its methods imitable through industry and culture, 59-61; the dramatic, 104; the real test of poetry, 139; self training of, 145; its individuality the sole value of art, according to Véron, 152, 153; natural bent of, is unchangeable, 220; has a law of its own, 247; the question of its existence and nature, 276-285; recognition of, 277; as an inherent gift, ib.; Carlyle, Lowell, and Howells on, 278; distinguished from talent, 279,—from taste, 280; congenital, 281, 282; is original, 283; not dependent on theme, ib.; often limited, ib.; the universal type, health of, 284; its good sense, 284; should be obeyed by its possessor, 284, 285; its spontaneity, 285; inspiration of, 287; and see 147.
Georgian Period, 55, 116, 125, 138, 225, 227, 250.
Gérôme, painter, 239.
Gerusalemme Liberata, Tasso, 112.
Gesta Romanorum, 131.
Gilder, R. W., quoted, 257.
Gildersleeve, Basil L., 100.
Gnomic Poetry, 75.
Goethe, "Wertherism," 121; Heine's criticism of him and of Schiller, 18; and the Romantic movement, 119; Arnold's study of, 133; on art, 201; on epic and dramatic poets, 237; quoted, 64, 142, 143, 247; and see 54, 58, 76, 113, 118, 168, 263, 269, 290; and see Faust.
Golden Ages, 78.
Golden Treasury, The, Palgrave, 136, 172.
Goldsmith, 172, 250, 268.
Gosse, quoted, 111.
Gothic Art and Song, 159.
Grace, 179; and see Charm.
Gray, 172, 250.
Greek Bucolic Poets, 169.
Greek Dramatists. See Dramatists, the Greek.
Greek Lyrists, 169.
Greeks, The. See The Antique, Objectivity, etc.
Gregory VII., Horne, 104.
Grotesque, The, 160.
Guy Mannering, Scott, 137.
