Interpretative Faculty, 26; and see Insight, etc.
Inter-Transmutation of certain poetic styles, 215.
Introduction. Account of the origin, purpose and method of the present treatise, pp. vii-xvii.
Introspection, conventual, 140; and see Subjectivity.
Intuition, unconscious process of the soul, 147; superior to logical process, 157; should be obeyed, 284; woman's, 286.
Invention, fiction its modern outlet, 137, 138; an imaginative function, 237.
Ion, Euripides, 99.
Irony. See Satire.
Irreverence, dangers of artistic, 158.
Isabella, Keats, 239.
Isaiah, 236.
Island, The, Byron, 206.
"Israfel," Poe, 73.
Italian influence, 162.
Italian poetry, English obligations to, 115; of modern Italy, 128.
James, G. P. R., novelist, 137.
James, H., novelist, 192.
Japanese, the, artistic method of, 31; their literature, 81; antipodal art ideals of, 162-165; they recognize fitness and ideal beauty, 162, 163; danger menacing their individuality, 164; assimilative tendency of, 165.
"Jeanie Morrison," Motherwell, 265.
Job, The Book of, its grandeur and impersonality, 86; quoted, 244; and see 36, 104, 113, 236.
Johns Hopkins University, its origin and founder, 3, 4; and see 61, 93.
Johnson, Dr., 14.
Jones, Sir William, 82.
Jonson, Ben, on language, 51; on the English stage, 110; plays and songs of, 170; and see 250.
Joubert, critic, 15, 135; quoted, 143.
Joy of the poet, 267.
Judaism. See Bible, Poetry of the.
Judgment, 284.
Julius Cæsar, Shakespeare, 104.
Keats, quoted, 67; as an artist-poet, 68, 69; dramatic promise of, 69, 110; his place in English poetry, 110; on immaturity, 122; creative works of, 124; on beauty and truth, 187, 220; imaginative diction of, 241; his style, 248; on intensity, 262; quoted, 182; and see 10, 60, 75, 116, 119, 133, 172, 173, 177, 193, 225, 239, 255.
Kepler, astronomer, quoted, 155.
Kingsley, Hypatia, 118.
"Kubla Khan," Coleridge, 125.
La Farge, J., artist, cited, 78, 79; on Japanese Architecture, 163.
Lake School, The, 33.
"L' Allegro," Milton, 116.
Lamartine, 120.
Lamb, C., 162, 170.
"Land o' the Leal, The," Lady Naime, 265.
