Sanborn, F. B., 22.
Sanity of genius, 284.
Sappho, genius and relics of, 87, 88; and see 262.
Satire and Irony—Dante, 114; Heine's mocking note, 127.
Saturday Review, The, on genius, 279.
"Saul," Browning, 109.
Savant, the. See Science.
Scarlet Letter, The, Hawthorne, 55. 137.
Schiller, on rhythm, 54; quoted, 108; and see 18, 237.
Schlegel, A. W., on Taste, 47; cited, 92; and see 26, 143.
Schools, in Art and Letters, contests between the realists and romanticists, the academicians and the impressionists, etc., 144, 145, 157, 199; how evolved, 151; and see Introduction.
Schopenhauer, on the imagination, 21; on the musician, 65; quoted, 130; and see 270.
Science,—economics, sociology, and poetry, 14; its apparent deprecation of æsthetics, ib.,—but only to afford a new basis, 152; as the antithesis to Poetry, 20, 21, 28; how far antithetical, 28; illustrated—by the Aurora fresco, 29, by poetry and the weather bureau, 30; the distinction one of methods, 31, 32; discovery through imagination, 32; science and religion, 33; discussion of science and poetry, in Victorian Poets, 33; effect on poetic diction and imagery, 34; intuitions of the savants, 35 et seq.; Prof. A. S. Hardy on, 36-38; inferring immortality from evolution, 37; control of public interest, 38; really an adjuvant to poetry, 38, 39; Tyndall on Emerson, 39; its beginnings suggested in Dürer's "Melencolia," 140, 141; men of, their vitality, 142; our attitude toward Nature, 207; Lucretius and the De Rerum Natura, 212, 217; the new learning, 220, 296; the modern speculative imagination, 228; and the future, 250; evolution, 257; and the new faith, 291.
Science of Verse, The, Lanier, 61.
Scotland, poetry of, 264.
Scott, Walter, contrasted with Morris, etc., 131,—with Arnold, 135; source of his lyrical method, 238; quoted, 181; and see 60, 121, 263.
Sculpture, the sculptor's working method, 6; specific province of, 63; how far imitated by poetry, 67; opportunity of our native sculptors, 200; Ward, Donoghue, Tilden, 200; and see 13.
"Sea-Shell Murmurs," Lee-Hamilton, 206.
Seasons, The, Thomson, 189.
Self-Consciousness. See Subjectivity.
Self-Expression. See Subjectivity.
Semitic literature. See Bible, Poetry of the.
Sénancour, 135.
Sensation, Human, art must be
