of poet." Wordsworth's familiar recognition of "the poets that ne'er have penned their inspiration" was a just surmise; but such a poet is one in posse, assuredly not in esse, not a maker. Swinburne traverses the passage with a bit of common sense—"There is no such thing as a dumb poet or a handless painter. The essence of an artist is that he should be articulate."
Submitting these views with respect to a scientific definition of poetry, I ask your attention Comparative review of the Arts.to a brief consideration of its bounds and liberties, as compared with those of music and the respective arts of design.
The specific province, by limitation, of Sculpture, the art consecrate to the antique precision The respective powers and limitations of Sculpture,of repose, is to express ideals of form arrested as to movement and time. Its beauteous or heroic attitudes are caught at the one fit moment, and forever transfixed in rigid stone or wood or metal. Painting has an additional Painting,limitation; it gives only the similitude of form in all its dimensions, and only from one point of a beholder's view. To offset this, the range of the painter is marvellously broadened by the truth of perspective, the magic and vital potency of color, the tremulous life of atmosphere, and the infinite gradations and contrasts of light and shade. The mystical warmth and force of the Christian humanities are radiant in this enrapturing art. Yet its office is to capture the
