extremely rare. The clams are taken only by the net, and only one in about ten thousand is said to yield a mu-gong-ju. These are not sold, but are handed down from father to son as precious heirlooms. The Koreans believe that they have the power of self-propagation by a process of division, like certain polyps.
The body is now dressed in the new clothes and placed on a table specially made for the purpose. A screen is drawn around it, and over the screen is hung a banner on which is written the man's name and honours, and on a little table are placed some of his effects, such as pen, ink-stone, spectacles and seals. This completes the first day's work.
On the morning of the second day the professional undertaker comes and arranges the clothes of the deceased with great care, and proceeds to tie the body up with cords made of twisted paper. In tying the waist-cord he arranges the knot so as to resemble the Chinese character sim, for it is believed that all the canonised spirits arrange theirs so.
On the morning of the third day the undertaker brings the casket, which is not nailed, but is carefully dovetailed and fastened with wooden pegs. The bottom of it is covered an inch deep with gluten rice flour. This is to form a sort of cushion into which the body will sink a little, and so be prevented from moving from side to side as it is being carried to the grave. When everything is ready for placing the body in the casket, the sons of the dead man wash their hands, or perhaps take a full bath, and then go in and place the body carefully in its final receptacle. The face is covered with a very thin film of cotton batting, and beside the body are placed the finger-nail and toe-nail parings and the teeth which have been already referred to. The remaining space in the coffin is tightly packed with old clothes of the deceased, so as to prevent any movement of the body, and the cover is fastened on with wooden pegs. The coffin is invariably made of pine. The reason is fourfold. The pine, being an evergreen, is, in Korean eyes, the symbol of manhood, for it never withers or casts its leaves until it dies.
