she has, however, lost by some of the (so to speak) "stage-directions." We don't want to be told how a man and woman of the type of Don Silva and Fedalma[1] look when they are saying certain things. We can feel pretty sure when the moment would be too sweet and solemn even for kissing. As Sam Slick said, "Natur' teaches that air."
The story of "The Spanish Gypsy" is simply this: Fedalma, a Zincala, is lost in her early childhood, and brought up by a Spanish duchess, Don Silva's mother. As she grows to womanhood Silva loves her, and she is on the point of marrying him when the narrative opens. But Fedalma's father, Zarca, a Gypsy Moses, Hiawatha, or both, devoted to the regeneration of his tribe, suddenly appears upon the scene and claims his daughter. Will she marry Don Silva, or go with her father and be the priestess of a new faith to the Zincali? She decides to accompany her father. Upon this Silva renounces his position as a Spanish noble and Christian knight and becomes a Zincalo. This implies the relinquishment of his post as commander of the town and fortress of Bed mar, which it is his duty to guard against the Moors; but he is not aware, at the time he takes the Gypsy oath, that Zarca is already in league with the Moors to take the fortress. Zarca and the Moors, however, succeed in investing the place, and some noble Spaniards, friends of Silva's, including his uncle, Father Isidor, axe slain. Mad with remorse and rage, Silva stabs Zarca, but is allowed to go free. The poem closes with the departure of Silva to obtain absolution from the Pope, in order that he may recommence the career of a Christian knight, and the departure of Fedalma to begin, as best she may, the work bequeathed to her by her father, namely, the regeneration of the Zincali.
- ↑ I do not remember having ever seen this name before; it is an exquisitely musical word, and, I suppose, is intended to mean Faith of the Soul; or, more intelligibly to some people (not to be envied), Spiritual Fidelity.
