was hidden, and the whole vast shining floor was thick with dancing couples. "Look at them," said the little officer, "see how much they show of motherhood."
The gallery they stood upon ran along the upper edge of a huge screen that cut the dancing hall on one side from a sort of outer hall that showed through broad arches the incessant onward rush of the city ways. In this outer hall was a great crowd of less brilliantly dressed people, as numerous almost as those who danced within, the great majority wearing the blue uniform of the Labour Department that was now so familiar to Graham. Too poor to pass the turnstiles to the festival, they were yet unable to keep away from the sound of its seductions. Some of them even had cleared spaces, and were dancing also, fluttering their rags in the air. Some shouted as they danced, jests and odd allusions Graham did not understand. Once some one began whistling the refrain of the revolutionary song, but it seemed as though that beginning was promptly suppressed. The corner was dark and Graham could not see. He turned to the hall again. Above the caryatidæ were marble busts of men whom that age esteemed great moral emancipators and pioneers; for the most part their names were strange to Graham, though he recognised Grant Allen, Le Gallienne, Nietzsche, Shelley and Godwin. Great black festoons and eloquent sentiments reinforced the huge inscription that partially defaced the upper end of the dancing place, and asserted that "The Festival of the Awakening" was in progress.
"Myriads are taking holiday or staying from work because of that, quite apart from the labourers who refuse to go back," said Asano. "These people are always ready for holidays."
Graham walked to the parapet and stood leaning over, looking down at the dancers. Save for two or three remote whispering couples, who had stolen apart, he and his guide had the gallery to themselves. A
