Meyerbeer and Flute
harp, which are heard above the melody which is sung out by the 'cellos.
The solo "Dall' Aurora," in L'Êtoile du Nord, is accompanied by a double obligato on two flutes—one flute is behind the scene and the other is on the stage, and has a cadenza along with the voice. Chorley remarks that this trio is "better as a concert-piece
Meyerbeer, Cadenza in Les Huguenots ii.
![\new Staff \with {midiInstrument = "flute"} \relative c'' {
\key g \major
\time 12/8
\tempo "Andante cantabile"
\override TupletBracket.bracket-visibility = ##f
d4( e16 d) cis( d g b d g) b,,4( c16 b) ais( b d g b d)
g,,4( a!16 g) fis( g b d g b) d,,2.*2/3\fermata_\markup \center-column {"chromatic" "scale."}\glissando eis''4
fis16( d) d\staccato d\staccato cis\staccato e\staccato
d( b) b\staccato b\staccato ais\staccato c\staccato
b( g) g\staccato g\staccato fis\staccato a\staccato
g( d) d\staccato d\staccato cis\staccato e\staccato
d4(\trill \tuplet 3/2 {g16 b d)}
b,4(\trill \tuplet 3/2 {d16 g b)}
g,4(\trill \tuplet 3/2 {b16 d g)}
\tuplet 3/2 8 {b( g d g d b d b g)}
d4.\fermata
\omit TupletNumber
\autoBeamOff
\grace {\tuplet 3/2 8 {fis16[ e d] a'[ g fis] c'[ b a] fis'[ e d] a'[ g fis] c'[ b a]}} ees'4 d8
d,,4.\fermata
\grace {\tuplet 3/2 8 {fis16[ e d] a'[ g fis] c'[ b a] fis'[ e d] a'[ g fis] c'[ b a]}} e'4 d8
d,,2. \grace {fis4 a \stemDown d fis a d fis a fis d a fis d \stemUp a fis d \stemNeutral} fis4.\trill\fermata e'4 d8
g,2 \bar "|"
}](http://upload.wikimedia.org/score/d/5/d5fro0vd3d65fdzr7wj8te8jfpmd549/d5fro0vd.png)
than when heard in the opera, because there the songstress must remain at such a distance from both instruments (the flautist on the stage being merely a mime) that all the intimacy of response and dialogue is lost, and the effect is that of a soprano scrambling against a double echo." It was performed at the Philharmonic Concerts in 1857 (Pratten and Card) and in
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