Page:The story of the flute (IA storyofflute1914fitz).djvu/199

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Tschaïkowsky

paniment to the melody on the string's; he also combines the low notes of the flute very effectively with the violas. He frequently gives the flute chromatic passages like this from the Fourth Symphony, and he

Tschaïkowsky, Fourth Symphony.


\new Staff \with {midiInstrument = "flute"} \relative c'' {
  \key aes \major
  \time 9/8
  \tempo "Moderato assai"
  \partial 32*9 fis32(\p gis16.) ais32( b16.) cis32(
  dis16.) cis32( b16.) cis32( b4)~ b16. g!32( b4)~ b16. fis32( b4)
  ais16(\accent a gis g fis8) r ais'16(\accent a gis g fis8) r
}

often allots it little groups of five or six rapidly descending semi-tones. Probably the best-known flute passages in his works are the charming "Danse des Mirlitons" for three flutes, and the very remarkable and outstanding solo flute passage in the "Danse Chinoise" (Casse-Noisette Suite).

Tschaïkowsky, Casse-Noisette Suite, Danse des Mirlitons.


\header {
  piece = "3 FLS."
}
\new Staff \with {midiInstrument = "flute"} \relative c'' {
  \key d \major
  \time 2/4
  \tempo "Moderato assai"
  <fis, a d>16\staccato\p <e g cis>\staccato <fis a d>\staccato <e g cis>\staccato 
    <fis a d>8\staccato <e g cis>\staccato
  <g a e'>\staccato <fis a d>32(\< <a d fis> <d fis a> <fis a d>) <a d fis>4\tenuto\mf
  <b d g>16\staccato <a cis fis>\staccato <b d g>\staccato <a cis fis>\staccato 
    <g b e>(\> <fis a d>) <d fis a>\staccato <a d fis>\staccato
  <g bes d>4\tenuto\sf \acciaccatura {<fis' bes d>8} <g a cis>4\tenuto
  <e g b>16\staccato\p <e, g b>\staccato <e g b>\staccato <e g b>\staccato
    \acciaccatura {<e g cis>8} <eis gis b>8\staccato <fis a>\staccato
  <cis' g'! b>16\staccato <cis, g'! b>\staccato <cis g' b>\staccato <cis g' b>\staccato
    \acciaccatura {<cis g' cis>8} <d gis b>8\staccato <d a'>\staccato
}

Tschaïkowsky, ib. Danse Chinoise.


\header {
  piece = \markup \line {1\super{st} Fl.}
}
\new Staff \with {midiInstrument = "flute"} \relative c'' {
  \key bes \major
  \tempo "Allegro moderato"
  r2 r4 \tuplet 7/4 {bes'16( c d ees f g a)}
  bes4\tenuto a8\tenuto g \afterGrace f2(\trill {e16 f)}
  g8 r f4~\accent \tuplet 5/4 {f16( d bes f d} bes8) r
  r2^"Picc. & Fl." r4 \tuplet 6/4 {g''16( f ees d c bes)}
  a4\tenuto g8\tenuto a\tenuto \tuplet 9/4 {f16( g f g f g f e f)} g8\tenuto a\tenuto
  bes\tenuto r bes,4~\accent \tuplet 5/4 {bes16( d f bes d} f8) r
}

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