The collective name for the ripe fruits of religion in a character is Saintliness.[1] The saintly character is the character for which spiritual emotions are the habitual centre of the personal energy; and there is a certain composite photograph of universal saintliness, the same in all religions, of which the features can easily be traced.[2]
- ↑ I use this word in spite of a certain flavor of 'sanctimoniousness' which sometimes clings to it, because no other word suggests as well the exact combination of affections which the text goes on to describe.
- ↑ "It will be found," says Dr. W. R. Inge (in his lectures on Christian Mysticism, London, 1899, p. 326), "that men of preëminent saintliness agree very closely in what they tell us. They tell us that they have arrived at an unshakable conviction, not based on inference but on immediate experience, that God is a spirit with whom the human spirit can hold intercourse;
higher centres, whose quality of feeling is that of withinness. Another of the respondents says: 'Since then, although Satan tempts me, there is as it were a wall of brass around me, so that his darts cannot touch me.'"—Unquestionably, functional exclusions of this sort must occur in the cerebral organ. But on the side accessible to introspection, their causal condition is nothing but the degree of spiritual excitement, getting at last so high and strong as to be sovereign; and it must be frankly confessed that we do not know just why or how such sovereignty comes about in one person and not in another. We can only give our imagination a certain delusive help by mechanical analogies.
If we should conceive, for example, that the human mind, with its different possibilities of equilibrium, might be like a many-sided solid with different surfaces on which it could lie flat, we might liken mental revolutions to the spatial revolutions of such a body. As it is pried up, say by a lever, from a position in which it lies on surface A, for instance, it will linger for a time unstably halfway up, and if the lever cease to urge it, it will tumble back or 'relapse' under the continued pull of gravity. But if at last it rotate far enough for its centre of gravity to pass beyond surface A altogether, the body will fall over, on surface B, say, and abide there permanently. The pulls of gravity towards A have vanished, and may now be disregarded. The polyhedron has become immune against farther attraction from their direction.
In this figure of speech the lever may correspond to the emotional influences making for a new life, and the initial pull of gravity to the ancient drawbacks and inhibitions. So long as the emotional influence fails to reach a certain pitch of efficacy, the changes it produces are unstable, and the man relapses into his original attitude. But when a certain intensity is attained by the new emotion, a critical point is passed, and there then ensues an irreversible revolution, equivalent to the production of a new nature.
