those who spoke with me in a friendly way, I generally informed in a few words, that I believed my wearing it was not in my own will."
When the craving for moral consistency and purity is developed to this degree, the subject may well find the outer world too full of shocks to dwell in, and can unify his life and keep his soul unspotted only by withdrawing from it. That law which impels the artist to achieve harmony in his composition by simply dropping out whatever jars, or suggests a discord, rules also in the spiritual life. To omit, says Stevenson, is the one art in literature: "If I knew how to omit, I should ask no other knowledge." And life, when full of disorder and slackness and vague superfluity, can no more have what we call character than literature can have it under similar conditions. So monasteries and communities of sympathetic devotees open their doors, and in their changeless order, characterized by omissions quite as much as constituted of actions, the holy-minded person finds that inner smoothness and cleanness which it is torture to him to feel violated at every turn by the discordancy and brutality of secular existence.
That the scrupulosity of purity may be carried to a fantastic extreme must be admitted. In this it resembles Asceticism, to which further symptom of saintliness we had better turn next. The adjective 'ascetic' is applied to conduct originating on diverse psychological levels, which I might as well begin by distinguishing from one another.
1. Asceticism may be a mere expression of organic hardihood, disgusted with too much ease.
2. Temperance in meat and drink, simplicity of ap-
