this instance being only about the eighth of an inch. In addition, the lower card should be marked with a fine line drawn across the centre, which we shall call the index.
Things being thus arranged, if we place two similar objects—two A's, for instance—upon the wooden stage of the instrument, about three inches apart, and look at them through the two slits, we shall see them as under ordinary circumstances; but on fixing our eyes intently on the index of the lower card, and gradually raising it, we shall see the two A's become double, the two images of each letter separating themselves more and more the nearer the lower card approaches the upper one, until the last two of the images will coalesce, and appear to be placed on the lower cardboard, the other two remaining in their proper place. The eyes must be kept firmly fixed upon the index, otherwise the illusion disappears immediately, and two A's only are seen in their true position on the base of the instrument. This is an instance of the production of an image in a place where it certainly does not exist. This illusion is seen best when the upper screen is about ten inches from the object, the lower screen being just half-way between; but, as in most of these cases, the distances will differ according to the focus of the observer's eyes. The proper distances once being found, the experiment may be varied in a hundred different ways. For example, instead of two letters and a line we may have two flowers on the stage, and the figure of a flower-pot on the intermediate screen. If the two flowers are painted different colours, they will unite and form a mixed tint. Thus a red and yellow flower will give an orange image, a blue and yellow a green image, and so on. A perpendicular stroke and a horizontal one will give a cross. A few experiments with this little instrument will throw a light upon many of the obscurer
