The citizens of Delphi were visited with a series of calamities, until they made a public reparation of their crime; and "the blood of Æsop" became a well-known adage, bearing witness to the truth that deeds of wrong would not pass unpunished. Neither did the great fabulist lack posthumous honours; for a statue was erected to his memory at Athens, the work of Lysippus, one of the most famous of Greek sculptors. Phædrus thus immortalizes the event:—
Æsopo ingentem statuam posuere Attici,
Servumque collocarunt æternâ in basi:
Patere honoris scirent ut cuncti viam;
Nee generi tribui sed virtuti gloriam.
These few facts are all that can be relied on with any degree of certainty, in reference to the birth, life, and death of Æsop. They were first brought to light, after a patient search and diligent perusal of ancient authors, by a Frenchman, M. Claude Gaspard Bachet de Mezeriac, who declined the honour of being tutor to Louis XIII. of France from his desire to devote himself exclusively to literature. He published his Life of Æsop, Anno Domini 1632. The later investigations of a host of English and German scholars have added very little to the facts given by M. Mezeriac. The substantial truth of his statements has been confirmed by later criticism and inquiry. It remains to state that, prior to this publication of M. Mezeriac, the life of Æsop was from the pen of Maximus Planudes, a monk of Constantinople, who was sent on an embassy to Venice by the Byzantine Emperor Andronicus the elder, and who
