Page:To-morrow Morning (1927).pdf/124

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to a few friends in conversation, about art from an artist's point of view, and of course I said I simply couldn't; and she said nonsense, she never took no for an answer. So then I got to thinking, and I thought maybe I ought to on account of art having meant so much to me always—you know, I'm funny that way—so if she had called on me I was going to say a few words; but, mercy! I certainly didn't want to, and I was very much relieved, it was exactly what I wanted, only, as I say, it makes me laugh——"

No need to tell Carrie that she had fixed up her blue-and-white foulard, just in case, and bought new white gloves, and couldn't sleep, and practiced on Joe—she couldn't give her talk in front of Charlotte, but Joe thought she was grand. And she had bought some Perry pictures, just to illustrate. She left them hidden by her coat in Mrs. Baylow's hall. There were always two talks, and first the pretty Miss Anderson—so called not because she was pretty for a person, but because she was pretty for an Anderson—gave hers on "The Feminine Invasion of the Field of Literature," while Kate couldn't hear a word because the blood was pounding in her ears and her heart was lurching and her stomach feeling queer, and she was saying over and over to herself, "Some one has said that Art is the embodiment of beautiful thought in visible form"—and then Mrs. Roberts said: "Now we are going to have a great treat—Mrs. Skilling is going to