to see the patient, took a bit of dinner from my mother, and went into the parlor to smoke a pipe until his horse should come down from the hamlet, for we had no stabling at the old Benbow. I followed him in, and I remember observing the contrast the neat, bright doctor, with his powder1 as white as snow, and his bright, black eyes and pleasant manners, made with the coltish country folk, and above all, with that filthy, heavy, bleared scarecrow of a pirate of ours, sitting far gone in rum, with his arms on the table. Suddenly he—the captain, that is—began to pipe up his eternal song:
"Fifteen men on the dead man's chest—
Yo-ho-ho and a bottle of rum!
Drink and the devil had done for the rest—
Yo-ho-ho and a bottle of rum!"
At first I had supposed "the dead man's chest." to be that identical big box of his upstairs in the front room, and the thought had been mingled in my nightmares with that of the one-legged seafaring man. But by this time we had all long ceased to pay any particular notice to the song; it was new, that night, to nobody but Doctor Livesey, and on him I observed it did not produce an agreeable effect, for he looked up for a moment quite angrily before he went on with his talk to old Taylor, the gardener, on a new cure for rheumatics. In the meantime the captain gradually brightened up at his own music, and at last flapped his hand upon the table before him in a way we all knew to mean—silence. The voices stopped at once, all but Doctor Livesey's; he
