far back as I could remember, in every variety of picture-show——from the old peep-show and magic-lantern, to the improved cinematograph; and speaking of the cinematograph, it was in a "ride down the Strand" in a vitascope show in Sydney that I first experienced the feeling of disappointment——I kept expecting to come into a big street, or to see something presently, right up to the moment the picture was shut off the screen.
And my London friends seemed to expect me to open my mouth or show some sign of astonishment. The only thing that surprised me was to see St. Paul's and those places reduced to about half the size I expected them to be, and very black and dirty. I wanted to see the Monument close, and my friends took me round by it, but didn't seem to think much of it. I drifted back into an old London fog, and saw the London coach come in, and Mr. Pecksniff and his daughters get down and start to walk to the Commercial Boarding-house, where poor silly little Mercy met the brute her father sold her to. I'd have followed (and no doubt have found the Commercial Boarding-house little changed), but I hadn't time before my friends wanted to point out something else.
English people seem unable to realize the progress of a new country. Leaving out St. Paul's and the Abbey, and those old institutions, most things that are in London we have in Australia on a smaller scale——some on a larger——and we have——because of our readiness to give Yankee and foreign notions a show——many things that they haven't got in London yet.