are to have a masque of allegorical figures. Victory, with trophies from Lexington and Bunker Hill—Plenty, with her overflowing horn, to typify the present abundance in this good town—and Glory, with a wreath for his Excellency's brow.
Sir William Howe smiled at words which he would have answered with one of his darkest frowns, had they been uttered by lips that wore a beard. He was spared the necessity of a retort, by a singular interruption. A sound of music was heard without the house, as if proceeding from a full band of military instruments stationed in the street, playing not such a festal strain as was suited to the occasion; but a slow funeral march. The drums appeared to be muffled, and the trumpets poured forth a wailing breath, which at once hushed the merriment of the auditors, filling all with wonder, and some with apprehension. The idea occurred to many, that either the funeral procession of some great personage had halted in front of the Province House, or that a corpse, in a velvet-covered and gorgeously decorated coffin, was about to be borne from the portal. After listening a moment, Sir William Howe called, in a stern voice, to the leader of the musicians, who had hitherto enlivened the entertainment with gay and lightsome melodies. The man was drum-major to one of the British regiments.
'Dighton,' demanded the General, 'what means this foolery? Bid your band silence that dead march—or, by my word, they shall have sufficient cause for their lugubrious strains! Silence it, sirrah!'
'Please your honor,' answered the drum-major,
