white lace hanging on a string were surely not Italian handiwork. There were bits of pottery exhibited in dusty box-lids and small bronze figures of a poisonous green, old and new brass candlesticks and brooches with heaps of stones that looked far from genuine. Yet he was seized by a senseless wish to go in and buy something—to inquire, to bargain, and to purchase. Almost before he knew it, he had entered a small, stuffy shop filled with all sorts of things. There were church-lamps hanging from the ceiling, bits of silk with gold flowers on red and green and white ground, and broken pieces of furniture.
Behind the counter a youth with a dark complexion and a bluish, unshaven chin was reading. He talked and asked questions while Helge pointed at various articles, "Quanto?" The only thing he understood was that the prices were excessive, but one ought not to buy until one knew the language well enough to bargain with them.
Several pieces of china were standing on a shelf, rococo figures and vases with sprays of roses, which looked quite modern. Helge seized one at random and placed it on the counter: "Quanto?"
"Sette," said the youth, and spread out seven fingers.
"Quattro," said Helge, holding out four fingers in a new brown glove, and felt quite pleased with himself at this leap into the foreign language. He did not understand one word of the man's arguments, but each time he finished talking Helge raised his four fingers and repeated his quattro, adding with a superior air: "Non antica!"
But the shopkeeper protested, "Si, antica." "Quattro," said Helge again—the man had now only five fingers in the air—and turned towards the door. The man called him back, accepting, and Helge, feeling highly pleased with himself, went out with his purchase wrapped up in pink tissue paper.
He perceived the dark mass of the church at the bottom of the street outlined against the sky, and walked on. He hurried
