"It was a great pity that you lost your little boy," he said gently.
"Yes. If he had lived, all the rest would not have mattered. You speak about will, but when one's will cannot keep one's child alive, what is the good of it? I don't care to try to make anything of my life now, because it seemed to me the only thing I was good for and cared about was to be a mother to my little boy. Oh, I could have loved him! I suppose I am an egoist at heart, for whenever I tried to love the others, my own self rose like a wall between us. But the boy was mine alone. I could have worked if he had been spared to me. I could have worked hard.
"I had made so many plans. On the way down here they all came back to my mind. I had decided to live in Bavaria with him in the summer, because I was afraid the sea air would be too strong for him. He was going to lie in his pram under the apple trees while I painted. There is not a place in the world I could go to where I have not been in my dreams with the boy. There is nothing good or beautiful in all the world that I did not think, while I had him, he should learn and see. I have not a thing that was not his too. I used to wrap him up in the red rug I have. The black dress you are painting me in was made in Warnemünde when I was out of bed again, and I had it cut so that it would be easy to nurse him.
"I cannot work because I am so full of him—the longing for him paralyses me. In the night I cuddle the pillow in my arms and sob for my baby-boy. I call him and talk to him when I am alone. I should have painted him, to have a picture of him at every age. He would have been a year old now, would have had teeth and been able to take hold of things, to stand up, and perhaps to walk a little. Every month, every day I think of him—how he would have grown and what he would be like. When I see a woman with a bambino on her