be dressed with propriety, so long as her hair is modestly confined, and her ears healthily protected, by the matronly safeguard of the real construction. She ceases to be decorously dressed only when the material becomes too flimsy to answer such essential purpose, and the flaunting pendants or ribands can only answer the ends of coquetry or ostentation. Similarly, an architect may deepen or enlarge, in fantastic exaggeration, his original Westmoreland gable into Rouen porch, and his original square roof into Coventry spire; but he must not put within his splendid porch a little door where two persons cannot together get in, nor cut his spire away into hollow filigree, and mere ornamental perviousness to wind and rain.
148. Returning to our door at Pisa, we shall find these general questions as to the distribution of ornament much confused with others as to its time and style. We are at once, for instance, brought to a pause as to the degree in which the ornamentation was once carried out in the doors themselves. Their surfaces were, however, I doubt not, once recipients of the most elaborate ornament, as in the Baptistery of Florence; and in later bronze, by John of
