separately carved. But when the ornamentation is current, and flows or climbs along the stone in the manner of waves or plants, the concealment of the joints of the pieces of marble becomes altogether essential. And here we enter upon a most curious group of associated characters in Gothic, as opposed to Greek architecture.
169. If you have been able to read the article to which I referred you, 'Meneau,' in M. Viollet le Duc's dictionary, you know that one great condition of the perfect Gothic structure is that the stones shall be 'en delit,' set up on end. The ornament then, which on the reposing or couchant stone was current only, on the erected stone begins to climb also, and becomes, in the most heraldic sense of the term, rampant.
In the heraldic sense, I say, as distinguished from the still wider original sense of advancing with a stealthy, creeping, or clinging motion, as a serpent on the ground, and a cat, or a vine, up a tree-stem. And there is one of these reptile, creeping, or rampant things, which is the first whose action was translated into marble, and otherwise is of boundless importance in the arts and labours of man.
