of the course of the Arno, through Pisa, before the old banks were destroyed. Two arches of the Ponte-a-Mare, which was carried away in the inundation of 1870, are seen in the distance; the church of La Spina, in its original position overhanging the river; and the buttressed and rugged walls of the mediæval shore. Never more, any of these, to be seen in reality, by living eyes.
283. Plate I.—A small portion of a photograph of Niccola Pisano's Adoration of the Magi, on the pulpit of the Pisan Baptistery. The intensely Greek character of the heads, and the severely impetuous chiselling (learned from Late Roman rapid work), which drives the lines of the drapery nearly straight, may be seen better in a fragment of this limited measure than in the crowded massing of the entire subject. But it may be observed also that there is both a thoughtfulness and a tenderness in the features, whether of the Virgin or the attendant angel, which already indicate an aim beyond that of Greek art.
Plate II.—-The Pulpit of the Baptistery (of which the preceding plate represents a portion). I have only given this general view for convenience of reference. Beautiful photographs of the subject on a large scale are easily attainable.
