pure; not otherwise. To Niccola, the difference between this natural Greek school and the Byzantine, was as the difference between the bull of Thurium and of Delhi, (see plate 19 of "Aratra Pentelici").
Instantly he followed the natural fact, and became the Father of Sculpture to Italy.
16. Are we, then, also to be strong by following the natural fact?
Yes, assuredly. That is the beginning and end of all my teaching to you. But the noble natural fact, not the ignoble. You are to study men; not lice nor entozoa. And you are to study the souls of men in their bodies, not their bodies only. Mulready's drawings from the nude are more degraded and bestial than the worst grotesques of the Byzantine or even the Indian image makers. And your modern mob of English and American tourists, following a lamplighter through the Vatican to have pink light thrown for them on the Apollo Belvidere, are farther from capacity of understanding Greek art, than the parish charity boy, making a ghost out of a turnip, with a candle inside.
17. Niccola followed the facts, then. He is the Master of Naturalism in Italy. And I have
