bands, but only the very same long-eared livery in which his congregation is arrayed: yet, look you, one is bound to speak the truth as far as one knows it, whether one mounts a cap and bells or a shovel-hat; and a deal of disagreeable matter must come out in the course of such an undertaking.
I have heard a brother of the story-telling trade, at Naples, preaching to a pack of good-for-nothing honest lazy fellows by the sea-shore, work himself up into such a rage and passion with some of the villains whose wicked deeds he was describing and inventing, that the audience could not resist it; and they and the poet together would burst out into a roar of oaths and execrations against the fictitious monster of the tale, so that the hat went round, and the bajocchi tumbled into it, in the midst of a perfect storm of sympathy.
At the little Paris theatres, on the other hand, you will not only hear the people yelling out "Ah gredin! Ah monstre!" and cursing the tyrant of the play from the boxes; but the actors themselves positively refuse to play the wicked parts, such as those of infâmes Anglais, brutal Cossacks, and what not, and prefer to appear at a smaller salary, in their real characters as loyal Frenchmen. I set the two stories one against the other, so that you may see that it is not from mere mercenary motives that the present performer is desirous to show up and trounce his villains; but because he has a sincere hatred of them, which he cannot keep down, and which must find a vent in suitable abuse and bad language.
I warn my "kyind friends," then, that I am going to tell a story of harrowing villany and complicated—but, as I trust, intensely interesting—crime. My rascals are no milk-and-water rascals, I promise you. When we come to the proper places we won't spare fine language—No, no! But when we are going over the quiet country we must perforce be calm. A tempest in a slop-basin is absurd. We will reserve that sort of thing for the mighty ocean and the lonely midnight. The present Number will be very mild. OthersBut we will not anticipate those.
And, as we bring our characters forward, I will ask leave, as a man and a brother, not only to introduce them, but occasionally to step down from the platform, and talk about them: if they are good and kindly, to love them and shake them by the hand: if they are silly, to laugh at them confidentially in the reader's sleeve: if they are wicked and heartless, to abuse them in the strongest terms which politeness admits of.
Otherwise you might fancy it was I who was sneering at the practice of devotion, which Miss Sharp finds so ridiculous; that it was I who laughed good humouredly at the reeling old Silenus of a baronet—whereas the laughter comes from one who has no reverence except for prosperity, and no eye for anything beyond success. Such people there are living and flourishing in the world—Faithless, Hopeless, Charityless: let us have at them, dear friends, with might and main. Some there are, and very successful too, mere quacks and fools: and it was to combat and expose such as those, no doubt, that Laughter was made.
