Page:Vanity Fair 1848.djvu/75

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A NOVEL WITHOUT A HERO.
47

on the box of his open carriage (a most tremendous "buck" he was, as he sat there, serene, in state, driving his greys), and though nobody said a word on the subject of the marriage, everybody seemed to understand it. All she wanted was the proposal, and ah! how Rebecca now felt the want of a mother!—a dear tender mother, who would have managed the business in ten minutes, and, in the course of a little delicate confidential conversation, would have extracted the interesting avowal from the bashful lips of the young man!

Such was the state of affairs as the carriage crossed Westminster-bridge.

The party was landed at the Royal Gardens in due time. As the majestic Jos stepped out of the creaking vehicle the crowd gave a cheer for the fat gentleman, who blushed and looked very big and mighty, as he walked away with Rebecca under his arm, George, of course, took charge of Amelia. She looked as happy as a rose-tree in sunshine.

"I say, Dobbin," says George, "just look to the shawls and things, there's a good fellow." And so while he paired off with Miss Sedley, and Jos squeezed through the gate into the Gardens with Rebecca at his side, honest Dobbin contented himself by giving an arm to the shawls, and by pacing at the door for the whole party.

He walked very modestly behind them. He was not willing to spoil sport. About Rebecca and Jos he did not care a fig. But he thought Amelia worthy even of the brilliant George Osborne, and as he saw that good-looking couple, threading the walks to the girl's delight and wonder, he watched her artless happiness with a sort of fatherly pleasure. Perhaps he felt that he would have liked to have something on his own arm besides a shawl (the people laughed at seeing the gawky young officer carrying this female burthen); but William Dobbin was very little addicted to selfish calculation at all; and so long as his friend was enjoying himself, how should he be discontented? And the truth is, that of all the delights of the Gardens; of the hundred thousand extra lamps, which were always lighted; the fiddlers, in cocked hats, who played ravishing melodies under the gilded cockle-shell in the midst of the gardens; the singers, both of comic and sentimental ballads, who charmed the ears there; the country dances, formed by bouncing cockneys and cockneyesses, and executed amidst jumping, thumping, and laughter; the signal which announced that Madame Saqui was about to mount skyward on a slack-rope ascending to the stars; the hermit that always sat in the illuminated hermitage; the dark walks, so favourable to the interviews of young lovers; the pots of stout handed about by the people in the shabby old liveries; and the twinkling boxes, in which the happy feasters made-believe to eat slices of almost invisible ham;—of all these things, and of the gentle Simpson, that kind smiling idiot, who, I daresay, presided even then over the place—Captain William Dobbin did not take the slightest notice.

He carried about Amelia's white cashmere shawl, and having attended under the gilt cockle shell, while Mrs. Salmon performed the Battle of Borodino, (a savage Cantata against the Corsican upstart, who had lately met with his Russian reverses)—Mr. Dobbin tried to hum it as he walked away, and found he was humming—the tune which Amelia Sedley sang on the stairs, as she came down to dinner.