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THE CONCERT.
211

lady in dark velvet; a gentleman who might be her son—the best face, the finest figure, I thought, I had ever seen; a third person in a pink dress and black lace mantle.

I noted them all—the third person as well as the other two—and for the fraction of a moment, believed them all strangers, thus receiving an impartial impression of their appearance. But the impression was hardly felt and not fixed, before the consciousness that I faced a great mirror, filling a compartment between two pillars, dispelled it: the party was our own party. Thus for the first, and perhaps only time in my life, I enjoyed the "gift" of seeing myself as others see me. No need to dwell on the result. It brought a jar of discord, a pang of regret; it was not flattering, yet, after all, I ought to be thankful: it might have been worse.

At last, we were seated in places commanding a good general view of that vast and dazzling, but warm and cheerful hall. Already it was filled, and filled with a splendid assemblage. I do not know that the women were very beautiful, but their dresses were so perfect; and foreigners, even such as are ungraceful in domestic privacy, seem to posses the art of appearing graceful in public: however blunt and boisterous those every-day and home movements connected with peignoir and papillotes, there is a slide, a bend, a carriage of the head and arms, a mien of the mouth and eyes, kept nicely in reserve for gala use—always brought out with the grande toilette, and duly put on with the "parure".

Some fine forms there were here and there, models of a peculiar style of beauty; a style, I think, never seen in England; a solid, firm-set, sculptural style. These shapes have no angles: a caryatid in marble is almost as flexible; a Phidian goddess is not more perfect in a certain still and stately sort. They have such features as the Dutch painters give to their madonnas: low-country classic features, regular but round, straight but stolid, and for their depth of expressionless calm, of passionless peace, a polar snow-field could alone offer a type. Women of this order need no ornament, and they seldom wear any; the smooth hair, closely braided, supplies a sufficient contrast to the smoother cheek and brow; the dress cannot be too simple; the rounded arm and perfect neck require neither bracelet nor chain.

With one of these beauties I once had the honor and rap-