I complied with no good grace, and vexed, I suppose, by my reluctance, he opened a masked and dangerous battery. All he had yet said, I could count as mere sound and fury, signifying nothing; not so of the present attack.
It consisted in an unreasonable proposition with which he had before afflicted me: namely, that on the next public examination-day I should engage—foreigner as I was—to take my place on the first form of first-class pupils, and with them improvise a composition in French, on any subject any spectator might dictate, without benefit of grammar or lexicon.
I knew what the result of such an experiment would be. I, to whom nature had denied the impromptu faculty; who, in public, was by nature a cypher; whose time of mental activity, even when alone, was not under the meridian sun; who needed the fresh silence of morning, or the recluse peace of evening, to win from the Creative Impulse one evidence of his presence, one proof of his force; I, with whom that Impulse was the most intractable, the most capricious, the most maddening of masters (him before me always excepted)—a deity which sometimes, under circumstances apparently propitious, would not speak when questioned, would not hear when appealed to, would not, when sought, be found; but would stand, all cold, all indurated, all granite, a dark Baal with carven lips and blank eye-balls, and breast like the stone face of a tomb; and again, suddenly, at some turn, some sound, some long-trembling sob of the wind, at some rushing past of an unseen stream of electricity, the irrational demon would wake unsolicited, would stir strangely alive, would rush from its pedestal like a perturbed Dagon, calling to its votary for a sacrifice, whatever the hour—to its victim for some blood or some breath, whatever the circumstance or scene—rousing its priest, treacherously promising vaticination, perhaps filling its temple with a strange hum of oracles, but sure to give half the significance to fateful winds, and grudging to the desperate listener even a miserable remnant—yielding it sordidly, as though each word had been a drop of the deathless ichor of its own dark veins. And this tyrant I was to compel into bondage, and make it improvise a theme, on a school estrade, between a Mathilde and a Coralie, under the eye of a Madame Beck, for the pleasure, and to the inspiration of a bourgeois of Labassecour!
