I hardly noticed by what magic these doors were made to roll back—Dr. John managed these points; roll back they did, however, and within was disclosed a hall—grand, wide, and high, whose sweeping circular walls, and domed hollow ceiling, seemed to me all dead gold (thus with nice art was it stained), relieved by cornicing, fluting and garlandry, either bright, like gold burnished, or snow-white, like alabaster, or white and gold mingled in wreaths of gilded leaves and spotless lilies: wherever drapery hung, wherever carpets were spread, or cushions placed, the sole colour employed was deep crimson. Pendant from the dome, flamed a mass that dazzled me—a mass, I thought, of rock-crystal, sparkling with facets, streaming with drops, ablaze with stars, and gorgeously tinged with dews of gems dissolved, or fragments of rainbows shivered. It was only the chandelier, reader, but for me it seemed the work of eastern genii: I almost looked to see if a huge, dark cloudy hand—that of the Slave of the Lamp—were not hovering in the lustrous and perfumed atmosphere of the cupola, guarding its wondrous treasure.
We moved on—I was not at all conscious whither—but at some turn we suddenly encountered ano-