crasse. The young ladies of the Conservatoire, being very much frightened, made rather a tremulous exhibition on the two grand pianos. M. Josef Emanuel stood by them while they played; but he had not the tact or influence of his kinsman, who, under similar circumstances, would certainly have compelled pupils of his to demean themselves with heroism and self-possession. M. Paul would have placed the hysteric debutantes between two fires—terror of the audience, and terror of himself—and would have inspired them with the courage of desperation, by making the latter terror incomparably the greater: M. Josef could not do this.
Following the white muslin pianistes, came a fine, full-grown, sulky lady in white satin. She sang. Her singing just affected me like the tricks of a conjuror: I wondered how she did it—how she made her voice run up and down, and cut such marvellous capers; but a simple Scotch melody, played by a rude street minstrel, has often moved me more deeply.
Afterwards stepped forth a gentleman, who, bending his body a good deal in the direction of the King and Queen, and frequently approaching his white-gloved hand to the region of his heart,
